We learn about many events on Marshall’s life, most often
focusing on what happened in public, dwelling on how he confronted segregation
and racism. Stevens has him offering intelligent insights and laudable opinions
with touches of light humor, but most come across as judge-like pronouncements, rather than
something personal. There are hints about Marshall’s private life; they remain
undeveloped, while we get almost nothing of emotional weight.
Director Ted Pappas has Russell dynamically moving around
the stage in a variety of postures, sometimes carrying a cane to represent
aging, other times vigorously striding and pacing to imply younger days. Pappas and his designer also have tried to
enhance the experience with colorful projections and lively sound cues. But the
interior, the soul of the man, does not emerge. Director and performer
have not found ways to give Marshall memorable personality.
Russell capably delivers the information Stevens wants to
bring out but the actor stays stuck with a script which lacks drama,
even though many events in Marshall’s life sound dramatic. Russell most often sounds as
if declaiming rather than speaking personally, not showing nearly enough significant feelings.
I can’t help wondering how Marshall came across in real life
to his colleagues, his friends, his children. Here he stands alone, needing
more.
Thurgood continues
through April 7th at Pittsburgh Public Theater, 621 Penn Ave.
downtown.
412/- 316-1600 and ppt.org
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